Who is Leroy Robertson?

And why should you care? Curiosity, more than anything. And maybe a little gratitude for his work. Leroy J. Robertson was born on December 21, 1896, and died on July 25, 1971. He was an American composer and music educator. Born in Fountain Green, Utah, he studied violin, composition, and public school music at the New England Conservatory and in Europe. He received an MA degree from the University of Utah and a PhD from the University of Southern California. He was chairman of the music department at Brigham Young University from 1925 to 1948 and at the University of Utah from 1948 to 1962. He was instrumental in the promotion of the Utah Symphony and of classical music in Salt Lake City. For this reason alone, he should be remembered because the Utah Symphony is one of the finest in the country. One can attend the symphony at Abravanel Hall, sit in the upper reaches of the balcony (as I have done many times), and hear gorgeous music in an acoustically perfect building for $17 a ticket.

He is best known for his Oratorio from the Book of Mormon. This very long oratorio was composed by Robertson over many years and finally completed in 1953. The Lord's Prayer from that oratorio was recorded by the Mormon Tabernacle Choir and released as a 45 rpm single on the flip side of the Battle Hymn of the Republic, and it hit the top 50 charts in the late 1950s.

A full-length 33 rpm vinyl album called THE LORD'S PRAYER was recorded on August 27, 1958, (released in 1959) with Dr. Richard P. Condie, director of the Mormon Tabernacle Choir, Eugene Ormandy, conductor of the Philadelphia Orchestra, and organists Alexander Schriener and Frank W. Asper. In October 1963, this record was RIAA certified as a "GOLD" record with sales over $1,000,000.

It was in 1963 that I first heard the Robertson composition of The Lord's Prayer. Before I fell asleep, I listened to a radio station that had a "talk show"on from 11 p.m. until midnight. Back in those days, radio stations went off the air at midnight (as did TV stations). This particular radio station played the Robertson version of The Lord's Prayer (by the Mormon Tabernacle Choir and Philadelphia Orchestra, as cited above) before it went off the air. I was so taken with this composition that I made it a point to stay awake every night just to listen to it at midnight. Those were the days before I had enough money to buy my own record player, so I relied on the radio to hear this intriguing composition. I've never owned the recording until just this week, but I've carried that song in my head for the past 46 years. I've been looking for this recording for that long, and after 46 years, I finally found it. I hope it fascinates you as much as it has me for nearly half a century. You can listen to it by clicking on the Happy Thanksgiving blog (Smilebox) below.

This excessive admiration for Robertson is not meant to take anything away from Albert Hay Malotte (1895-1964), the American pianist, organist, composer, and educator who wrote probably the most popular and frequently heard version of The Lord's Prayer. His career as an organist began in Chicago where he played for silent pictures and later concertized throughout the US and Europe. During World War II, he held the rank of Captain in the Special Services for two years while he toured with the USO and entertained troops in New Guinea, Australia, and Europe. At one point, he sponsored his own troup of entertainers that included Dame Judith Anderson, Ann Triola, and Helen McClure Preister. Malotte was an amateur pilot, avid golfer, and even boxed with Jack Dempsey in Memphis, Tennessee. He spent most of his career as a composer in Hollywood.

Malotte composed a number of film scores, including mostly uncredited music for animations from the Disney studios. Although two movies for which he composed scores won best Short Subject Academy Awards (Ferdinand the Bull in 1939 and The Ugly Duckling in 1940), he is best remembered for a setting of the Lord's Prayer. Written in 1935, it was recorded by the baritone John Charles Thomas and remained highly popular for use as a solo in churches and at weddings in the US for some decades. He composed a number of other religious pieces including settings of the Beatitudes and of the Twenty-third Psalm which have also remained popular as solos. His secular songs such as "Ferdinand the bull" (from the Disney animated short of the same name), "For my mother" (a setting of a poem by 12-year-old Bobby Sutherland), and "I am proud to be an American" are less well remembered. Some of his works are collected in the library of the University of California Los Angeles and the Library of Congress. In addition, Malotte wrote uncredited stock music for many other films in the 1930s and early 1940s including twenty-two of the Disney Silly Symphonies and other shorts such Little Hiawatha as well as Ferdinand the Bull. He also composed cantatas, oratorios, musicals and ballets. Malotte owned Apple Valley Music.

He died of pneumonia and is buried in the Forest Lawn, Hollywood Hills Cemetery.